SARA KHAN – 12 OCT
Them wo khadi ho kar apna pejam pahn ke wapas niche aa gai aur mai muth mara aur maami ke room me gaya aur maami apne kaam me busy thi aur mai unki gand dekh2 ke muth mar raha tha.Waqt guzarta gaya mai pagal hota gaya ab mai maami ka pejama aur panty me v muth marne ka adi ho chuka tha alam to aisa tha ki mai ab tak hazaro bar apni maami ke naam ka muth maar chuka tha ab mai real me unko chodna chahta thaEk din pata chala ki hamare ek relative ke yahan shadi hai sab logo ne jana tha par mai aur maami aur unke sirf 2 bache gudiya 8yr babu 6 mnths ghar pe ruke the. Sab log chale gai.Agle din jab mai dopahar me ghar gaya aur khana khakar leta to maami babu ko sula kar chali gai aur wapas aa k mere aur babu ke beech me let gai aur jbki babu soya hua tha usko utha ke apna dudh pilane lagi.Mai kuch samajh ni paya phir maami let gai aur mai maami se cipak ke dusri tarf soye hue babu se khelne laga aur mera lund maami k gand se touch hone lga to maami ne kaha ajay jara chadar odha do na to. A slight shove, the right side door swinging slowly inward, they realize the key’s not necessary. The grand foyer every bit as daunting as the exterior, but somewhat, somehow more foreboding as the dim late afternoon shadows spread across its spacious surfaces from the opening doors, the dark swirls find their way upwards across the original proprietor’s gaudy portrait up on the wall facing the entrance, the shadows ominously weaving across the intricate coffered ceiling in sequence to the movement of the low spiraling clouds.The free swinging door tapping against an empty coat rack with a gust of wind, the sudden sound of the heavier raindrops mixing with the relenting hail pelting across the beveled windowpanes to either side of the entrance just adds to the uneasy atmosphere. Glancing around, flicking a light switch, the hall leading to the right from the foyer illuminates the entrance of that wing, several sturdy, oak doors closed to either side separated by framed photos,.
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