En kanavan varudathirku oru murai matum thaan veetirku vanthu ennai matter seithu vittu oru maatham matum ulasamaaga irunthu vittu matra 11 maaatham yaaraiyum ookamal iruka vendum.Sexiyaaga matter seithu vitu kanavar veli naatirku sendru viduvaar, aval ilatha pozhuthu thanimaiyil irukum pozhuthu than en kathalan niyabagam vanthathu. En thirumanathirku munathaaga oru aanai kathal seithen, naangal anaithu vazhiyilum kaamam seithu ulasamaaga irunthavargal. Kathal seithu thirumanam seithu kolalam endru ninaitha pozhuthu thaan en veetil veru oru aanirku thirumanam seithu vaithu vitargal, en kanavar eppozhuthum en kuthiyil vaai vaithu naaku potathu kidaiyaathu.Avarathu santhosham matum pothum endru irupaar, aanal en kathalan en pundiayil kanju varamal vidave matan.Ennal avanai parka mudiya villai, oru naal engal udan paditha penirku thirumanam. Andru thirumanam vizhavil thaan avanai paarthen, parka sexiyaaga irunthaan. Avanai parthathum enaku munthaya kala niyabagam elam vanthu. You’ll see him wearing an expensive, well-tailored suit, clothing that seems a natural extension of his body. He stands behind a large mahogany desk, beyond him is a wall of glass and far below, the lights of a large city shimmer in golden glory. This man should be, in your eyes at least, the very picture of success. He is Homo-Americanus and quite proud of the fact, and though he is but mortal flesh, in his own way he is unchanging, unyielding — immortal. This man happens to be my Uncle Chuck, or Charles Wentworth Addington, Jr., and I use the word ‘unchanging’ advisedly, because for Charles change meant nothing at all unless he was the one in charge of it. Unless he’d massaged and shaped change — and beat the ever loving crap out of it when it didn’t perform as expected. Any other change was trivial, mundane, something to be dealt with by associates down in the Minor Bullshit Department. The type of change I’ve been alluding to, all that genetic hooey, tends to make a mess of.
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