“Learn from classic art but don’t try to replicate it! You will never paint the same bowl of fruit as Cézanne. Ask yourself what made this still life famous in the first place? That is what you should try to replicate, not the exact position of each piece of fruit.”“Bloody!” he said over my shoulder. “Are you a serial killer?” I couldn’t help myself. I laughed. So did Mary. “I fail to see the humor in that. You must have an unusual kitchen. The background looks suspiciously like drapes. You are so focused on this tiny detail of reflection that you’ve missed the setting. Open your eyes further and capture the scene, not just the detail.”Shit! He’s absolutely right. After all the work I’d done to capture the depth and reflection in the blood, the knife blades, the kettle, I’d pretty much run out of time and blanked in the background so my objects looked suspended in space. And he zeroed right in on it. He’d moved on to Mary’s drawing. Her hand gripped mine tightly.“I’d never have. So, an old man with a sad job. Just her luck. She swung herself off the bed and looked at herself in the mirror. A slim beauty stared back from the glass: blonde hair cut in a pageboy and framing her face gently, sullen blue-green eyes, and a wide mouth with a defiant pout. She was still dressed in the school uniform that she hated. A white blouse with a Peter Pan collar and long sleeves hid the upper part of her body and a knee length tartan skirt covered the rest. White socks and ‘sensible’ shoes completed the outfit. The nuns checked skirt lengths every day and she felt like a frump. Gazing at her reflection she began to undo the blouse. As she undid the buttons slowly she felt a tingle of anticipation. She loved this game. She took her time untucking the blouse from her skirt and ran her hands up her body. As they brushed over her breasts the tingle increased, and she sensed her nipples stirring and stiffening. She unbuttoned the sleeves and let the blouse fall to the floor. Her.
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