” We were walking towards the back where the fish were and as Rita rounded the corner she stopped dead in her tracks and dropped down to her knees. “Awwww! Oh my god he's so adorable! Look at him!” I caught up to where she to see what she was looking at and in a cage by itself was a newborn black and white huskie, no more than two weeks old. “We just got him in yesterday,” a lady employee walked over and said. “Why is he in a cage by himself?” Rita asked. “He's the only one of his litter, and he hasn't had shots yet,” she said then walked away to tend to some other animals trying to get out of their cages. I could see the look on Rita's face as she looked at the puppy and it was clear as day, she wanted it. Its the same look everyone she knows is used to when she wants something and will do anything to get it. She put her hand on the cage and the puppy sniffed it and put his paw right up against her hand. “Awwwww! I want him, we have to get him Randy!” “I thought we were just coming. ‘No,’ responded Carol, ‘We’ll just abandon it, watch the film, and sort it out in the morning.’ Harry took one end of the couch with Lois at the other, whilst Carol preferred to sit on the floor between them. The film was very dark, literally so, it might almost have been in black and white, lots of suppressed emotions, misguided vengeance and unrequited passion, expressed visually rather than spoken. Unmistakably French film noir, the heroine, shot in half light, the click of her heels on the pavement, a Gauloise shrouded café. Every cliché exploited to the full, yet oddly in tune with an evening more subdued than Harry had expected. He was struck particularly by one scene, a young man about to leave on a journey looked in to farewell his lover, but seeing her embroiled with her family, he just smiled and slipped quietly away into the night. Lois left the room for a few moments, and on her return stretched out comfortably, full length with her head in Harry’s lap. She touched.
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